The Plus One Gallery is exhibiting the hyper-realist paintings of Andrew Holmes, demonstrating his interest in the impact of ‘an oil hungry civilisation’. The artist has recently constructed a mobile sculpture in California from four ‘Ford Thunderbird Landau Coupes’ built in the 1970s, the era of the first oil crisis. Entitled ‘The Four Horsemen of the Apocalypse’, the sculpture plays upon the mythological story in which the horsemen come to announce the end of the world. The paintings included within this collection express a continuing descent into corruption and poverty and include four drawings representing different aspects of the four horsemen - Victory, War, Pestilence and Death. The artist’s skill with coloured pencil is enviable and visitors to the exhibition can expect to be impressed by dramatic drawings of motor vehicles, rendered in minute detail.
Andrew Holmes
“Andrew Holmes is Britain‘s leading SuperRealist artist. He is also an architect and one of the original Richard Rogers four-person practice, a long time unit master at the Architectural Association and latterly at the University of Westminster. For three decades he has been working on, …, a 100-picture series called Gas Tank City. It records the storage tanks, trucks and trailers of the highways of the West Coast desert and that artificial urban oasis, Los Angeles, which Holmes has visited annually since he was a student at the AA. These, says Holmes, have replaced such traditional buildings as the barn and have, in some ways, become architecture. If that sounds like an echo of Reyner Banham and Archigram and Cedric Price and their interest in architectural transience and mobility, that is because it is. But it is also to put too architectural a gloss on his work which is sheerly beautiful. Holmes says anyway that the early Rogers connection is more relevant. ‚The truck epitomises more what those early ideas were originally about‘: simple steel construction, ready-mades, ad hoc-ness, design-as-accruing.”
http://www.realisticpictures.co.uk/
